Showing posts with label Black. Show all posts
Showing posts with label Black. Show all posts

Wednesday, September 7, 2011

What Independent Musicians Can Learn From Rebecca Black

Indie bands - By now, most of you will have heard of Rebecca Black, and if you haven't, you will soon. I have a unique perspective on the young phenomenon and her effect on modern music marketing, but let's go over the back story first.

Rebecca is a 14-year old singer from Anaheim, California. Her mother paid a local record label called ARK Music Factory to film a music video and release a single for a pre-written track entitled "Friday". Soon after the playful track was posted, it became a viral sensation. To many people's surprise the song became a worldwide smash, making the Billboard charts and earning Rebecca spots on Good Morning America and The Tonight Show. Stephen Colbert even covered the song recently with Jimmy Fallon, Taylor Hicks and The Roots. Conan O'Brian and Andy Richter did their own cover version called "Thursday." It was also covered by the hit TV show Glee.

Since the release of the song and video, something unprecedented has also taken place. The backlash was incredible, with an 87 percent disapproval rating by YouTube users. As it turns out, some of the reasons why the song became viral in the first place was because of it's questionable lyrics, it's use of auto-tune, and the judgements by many that it was the "worst song ever". Parodies of the song became commonplace and "Friday" became a sign that the current YouTube generation had possibly reached a kind of peak. Forbes Magazine stated that the popularity of the song is another sign of the current power of social media - in the ability to create "overnight sensations." The original video was removed.

Rebbeca used the leverage from the first video, and released a 2nd single called "My Moment", which in turn is also a bona fide hit. This young lady is a new celebrity.

Now, you may think that this article is about to tell you how you can achieve the kind of success Rebecca Black has, and outline viral steps to recreate this kind of promotion.

Not so much. I'd like to suggest something else entirely, if I may. Many independent artists strive to be liked by as many people as possible. This isn't necessarily the best way. It could easily be argued that Rebecca Black sounds quite similar to other modern pop stars such as Katy Perry and Britney Spears. These days, the mainstream simply choose differently. If the public overwhelmingly chooses Rebecca Black, Jersey Shore, the Kardashians, Pitbull, and a slew of talent show contestants, then why worry so much about being accepted?

If you think about it, there is something positive to be taken from all this. Instead of getting angry about the choices that we collectively make, market honestly to your niche and stop trying to appeal to or rebel against the masses. If you are planning on writing or making music with your life, you must first accept that the masses are going to choose things that you won't understand.

As Tom Waits says "Everything you can think of is true." (in pop culture, I would add.)

Let them watch Jersey Shore and blast "Friday" on their car stereos. You're going to need to save all your energy to effectively market your music to the people who really want to hear it. There are, and always will be, people who value honesty and passion. They will never be in short supply no matter how much this fact is not promoted by the mainstream media. If you are marketing to the masses, you're marketing to no one.

Study your niche.

That would include your genre(s), themes, lyrical content, image, location, and life philosophy. Promote to your niche in a credible way and believe in what you're doing. Have some class. Just because it's possible to score an auto-tuned hit, doesn't mean it's a great thing to do. Release your true self, not a gimmick. There are people who want to hear what you have to say. Start small. Promote to music blogs, podcasts, and publications that cover genuine independent music. Build it one brick at a time and don't worry about the rest.

James Moore is a Canadian music consultant and author of the bestselling music marketing book "Your Band Is A Virus". For more information on "Your Band Is A Virus" and a free chapter on the new method of "behind-the-scenes" marketing, visit http://www.yourbandisavirus.com/.


View the original article here

Wednesday, August 3, 2011

Black keys new album, ' Brothers ', is a more professional look, but it still Rocks

Full disclosure. I Love Black Keys. From their first seven albums cemented their "to do anything wrong" (except in cases where cooperation with rap and hip hop artists-Blackroc never took place), the seal with me. There are few bands that make it at this level with me: the Velvet Underground, Nirvana, The Pixies, Heartless Bastards, the Beastie Boys, so coming into this review of their latest album, brothers, please understand I have baked in bias. I expect it is sweet.

After the first listen it looks like the boys learned some things from their collaboration with Danger Mouse, input the last attack and release and perhaps even from rubbing elbows with geniuszy such as Raekwon, RZA, and q-tip terrible album Blackroc. The sound is rich. Is full. And completely in soul. It is not stripped raw Rock Duo win jewels Fat Possum, and I'm cool with it.

The brothers opened the Everlasting light, and I have to you something here. I Love Marc Bolan. Dude did it right. I hold great respect for the T-Rex's electric Warrior, so when Dan Auerbach and Patrick Carney right to step in with a tribute to the Mambo Sun, I'm sold again. I'm paying the price sticker twice because it is, as far as hittin' home page. Mr. Auerbach pipes are in the form of a thin, guitar and drums, and now perfect vocals of slides in.

The table is set for a portion of the Show, one piece, "single" album: "Next Girl. "Oh my girl the next will be nothing like My ex-girlfriend ...Generated in those mistakes, you'll never do it again. Oh my girl the next will be nothing like My ex girlfriend ... was painful but I got a second chance to dance. "

I'm not one to parse the sentence, but the wicked are writing there, raising power to break up the core, the tenuous relationship and love hurtful. God is a good song.

The Album starts really wash over me. Tighten up is by Whistling. Patrick is pummeling me Howlin' For You.

Only one washes where me away in a cool still waters ... are beautiful. Ten Cent Pistol originated such as Primal Scream, and then simply kills him with a fantastic story of murder, said above the other mass-produced lush sound. This may be the best song on the album loaded.

Gotta love the line in The Getter Go, "Hold and not let go, pretty girls help Soften the blow." Hasil Adkins unknown brother recalls and Bill Withers cooperation: dirty guitar on soulful bed feather. Never Gonna Give You Up "is a cover of Jerry Butler, and The Keys nicely to do it. Do not confuse this jewel of R&B, rick Rick Astley, rolled meme. This is why I love The Black Keys. They include songs about school and do it right, preserving the original soul and charm, but adding a twist, suggesting that the future may be just okay.

Studio albums released by The Black Keys:

Big comes in (2002)

Thickfreakness (2003)

Moan-EP (2004)

Rubber factory (2004)

Chulahoma (2006)

Magic Potion (2006)

Attack and Release (2008)

Brothers (2009)

Addison Booker music, occasionally by listening to him and butters his bread with the Funny t-shirt reviews, including from Snorg Tees.


View the original article here